When Miss Sharp had seen the Dictionary, flying over the pavement of the little garden, fall at length at the feet of the astonished Miss Jemima, the young lady smiled, and she sank back in the carriage, saying – ”So much for the Dixonary; and, thank God, I’m out of Chiswick.”

Miss Sedley was almost as flurried at the act of defiance as Miss Jemima had been.

“How could you do so, Rebecca?” at last she said, after a pause.

“Why, do you think Miss Pinkerton will come out and order me back?” said Rebecca, laughing.

“No: but – ”

“I hate the whole house,” continued Miss Sharp in a fury. “I hope I may never set eyes on it again.

“Hush!” cried Miss Sedley. “Why, will the black footman tell tales?” cried Miss Rebecca, laughing. “He may go back and tell Miss Pinkerton that I hate her with all my soul; and I wish he would. I have been treated worse than any servant in the kitchen. I have never had a friend or a kind word, except from you. But that talking French to Miss Pinkerton was capital fun, wasn’t it? She doesn’t know a word of French, and was too proud to confess it, which made her part with me; and so thank Heaven for French.Vive la France! Vive l’Empereur! Vive Bonaparte!”

“O Rebecca, Rebecca, for shame!” cried Miss Sedley. And in those days, in England, to say, “Long live Bonaparte!” was as much as to say, “Long live Lucifer!” “How can you – how dare you have such wicked, revengeful thoughts?”

“Revenge may be wicked, but it’s natural,” answered Miss Rebecca. “I’m no angel.” And, to say the truth, she certainly was not.

Persons whom all the world treats ill, deserve entirely the treatment they get. The world is a looking-glass, and gives back to every man the reflection of his own face. Frown at it, and it will in turn look sourly upon you; laugh at it and with it, and it is a jolly kind companion; and so let all young persons take their choice. This is certain, that if the world neglected Miss Sharp, she never was known to do a good action for anybody.

Miss Sharp’s father was an artist, and had given lessons of drawing at Miss Pinkerton’s school. He was a clever man; a pleasant companion; a careless student. When he was drunk, he used to beat his wife and daughter; and the next morning, with a headache, he would rail at the world for its neglect of his genius, and abuse, with a good deal of cleverness, and sometimes with perfect reason, the fools, his brother painters. He was married to a young woman of the French nation, who was by profession an opera-girl.

Rebecca’s mother had had some education somewhere, and her daughter spoke French with purity and a Parisian accent. When her mother died, her father wrote a letter to Miss Pinkerton, recommending the orphan child to her protection and died too. Rebecca was seventeen when she came to Chiswick; her duties being to talk French, and her privileges to live cost free, and, with a few guineas a year, to gather scraps of knowledge from the professors who attended the school.

She was small and slight in person; pale, sandy-haired, and with eyes habitually cast down: when they looked up they were very large, odd, and attractive. By the side of many tall and bouncing young ladies in the establishment, Rebecca Sharp looked like a child. But she had the dismal experience of poverty. She talked to tradesmen to have a free meal granted, chatted with her father, who was very proud of her wit, and heard the talk of his wild companions – often ill-suited for a girl to hear. But she never had been a girl, she said; she had been a woman since she was eight years old. The rigid formality of the place suffocated her. She had a little room, where the maids heard her walking and sobbing at night; but it was with rage, and not with grief.