[32], were of pretty deep nature.

The priest’s poetical son himself, asked during vast village scandal on a bench outside the Blue Lion, gave an impression of low mood. Hurrel Horner, a son of the Rev.[33] Samuel Horner, was a strong young man in a light grey suit with a touch of something extravagant in a light green tie, in other casesmainly notable for his brown hair and a permanent grimace on his face. But Father Brown had a way with him in getting people to explain at length why they didn’t want to say anything. About the general gossiping in the village, the young man began to curse freely. He even added a little gossip of his own. He told with anger about some past relationship between the Puritan Miss Carstairs-Carew and Mr Carver the lawyer. He even accused that legal character of having attempted to force himself[34]to befriend with Mrs Maltravers. But when he came to speak of his own father, whether out of good manners or loyalty, or because his anger was too deep for speech, he said only a few words.

‘Well, there it is. He holds to the opinion that she is anadventuress; a sort of barmaid with golden hair. I tell him she’s not; you’ve met her yourself, and you know she’s not. But he won’t even meet her. He won’t even see her in the street or look at her out of a window. An actress would make his house and even his holy presence dirty. If he is called a Puritan he says he’s proud to be a Puritan.’

‘Your father,’ said Father Brown, ‘is supposed to have his views respected, whatever they are; they are not views I understand very well myself[35]. But I agree he is not supposed to say anything about a lady he has never seen and then refuse even to look at her, to see if he is right. That is illogical.’

‘That’s his strongest point,’ replied the young man. ‘Not even one quick meeting. Of course, he is against my other theatrical tastes as well.’

Father Brown quickly followed up the new opening, and learnt much that he wanted to know. The young man was almost entirely into dramatic poetry. He had written tragedies in verse which had been liked by good judges. He was no fool with fear of stage; indeed he was no fool of any kind. He had some really original ideas about acting Shakespeare; it was easy to understand his having been extremely glad by finding the brilliant lady[36] at the Grange. And even the priest’s intellectual sympathy softenedthe rebelof Potter’s Pond so much that at their parting[37] he actually smiled.

It was that smile which made Father Brown realize that the young man was really unhappy. So long as he frowned, it might well have been only low spirit[38]; but when he smiled it was somehow a more real sign of sadness.

The priest continued to think about that conversation with the poet. An inner feeling told himthat the strong young man was eaten from within by some grief[39]greater even than the ordinary story of ordinary parents being a difficultyto the course of true love. It was all the more so, because there were not any other reasons. The boy already had literary and dramatic success; his books might be said to be very popular. Nor did he drink or spend away his well-earned money[40]. At his well-knownvisits at the Blue Lion he drank only one glass of light ale; and he seemed to be rather careful with his money. Father Brown thought of another possible difficulty in connection with Hurrel’s large earnings and small expenses; and his brow darkened[41].

The conversation of Miss Carstairs-Carew,